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CHUB
Posts: 2116
Location: Brisbane, Queensland
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Hey guys, I know we got a few users that are musicians... I'm just hoping some have recorded or at least have knowledge about recording.
In the past when I've recorded tracks, I've always used a Shure SM58, which is obviously the wrong mic for the job as it's a dynamic mic I believe. I was looking at recording my demo in the very near future, though obviously it won't be done in a proper studio, so I was wondering what type of mic (condenser mic?) would be best for recording guitar (I don't like direct recording, even though some of the Line6 stuff these days is funky). |
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| #0 07:30am 18/05/07 |
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B@ssM@n
Posts: 1077
Location: Brisbane, Queensland
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I shove an SM57 right into the cab off-axis & use a RODE NT2A about 6 feet away as the room mike.
In Protools I record both simultaneously and can vary the sound by changing the mix between the two tracks (57 has more attack, NT2A has more bass). For guitar I always throw down a 100~120Hz high pass filter followed by a Joe Meek EQ & compressor. |
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| #1 08:42am 18/05/07 |
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B.Hardball
Posts: 6316
Location: Brisbane, Queensland
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Are we talking about recording vocals, guitar amp, acoustic guitar or what?
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| #2 09:12am 18/05/07 |
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CHUB
Posts: 2118
Location: Brisbane, Queensland
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Guitar, predominantly I'm concerned first with electric guitar (it will be through a Peavey 5150 and Roland JC120 respectively for the channels), then later down the track acoustic.
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| #3 09:16am 18/05/07 |
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B.Hardball
Posts: 6318
Location: Brisbane, Queensland
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I record all my electric guitar with a digital coaxial cable straight from my GT6. Sorry - don't know much about mic'ing amps:(
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| #4 09:25am 18/05/07 |
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CHUB
Posts: 2119
Location: Brisbane, Queensland
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I was considering using a Line6 PodXT to record, but considerng it's going to be a solo guitar album, I don't think direct recording will give me the flexibility I need in my tone.
Have you got any examples of recordings using your Boss pedalboard? Your posts is interesting bassman... I really got to clue myself in on protools, I got absolutely ZERO knowledge... all my previous muckaround tracks have been with CoolEditPro :( last edited by CHUB at 09:31:01 18/May/07 |
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| #5 09:31am 18/05/07 |
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B.Hardball
Posts: 6319
Location: Brisbane, Queensland
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Glad you asked;)
Listen to "Let Go" - I tried to make a Jeff Buckley Hallelujah patch... sounds pretty good IMO but a little quiet... I should have also uped the gain so there was a bit of break up in the louder sections. http://www.triplejunearthed.com/Artists/View.aspx?artistid=3975 Have a listen to the electric solo in the song "Would You See". I seriously did about 100 takes to get it to sound perfect with the fake feedback and everything, but I seriously cream myself every time I hear it;) http://myspace.com/billyhardball All the others are acoustic songs. |
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| #6 09:37am 18/05/07 |
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mongie
Posts: 4099
Location: Brisbane, Queensland
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SM57's are excellent, When I was involved with recording, it was from a budget perspective, and we were generally using two mics, a 57, and a JTS mic that I've forgotten the model of.
It really all comes down to how much you're concerned with the sound, We also experimented with DI boxes and using a program called Amplitube2. There is also the more popular GuitarRig, but Amplitube is better, I think. |
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| #7 11:26am 18/05/07 |
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